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SALE NUMBER 1638 
ON FREE PUBLIC EXHIBITION FROM THURSDAY, MARCH NINTH 


ILLUSTRATED CATALOGUE OF 


VALUABLE PAINTINGS 


BY AMERICAN 
AND EUROPEAN MASTERS 


fee COLLECTION OF 
THE LATE 


JOSEPH G. SNYDACKER 


OF CHICAGO, ILLINOIS 


TO BE SOLD BY AUCTION 
BY ORDER OF THE EXECUTORS OF HIS ESTATE 
| FRIDAY EVENING, MARCH SEVENTEENTH 
AT EIGHT-FIFTEEN O'CLOCK 


THE ANDERSON GALLERIES 
[MITCHELL KENNERLEY, Presipent| 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 


1922 


CONDITIONS OF SALE 


All bids to be prR Lor as numbered in the Catalogue. 


The highest bidder to be the buyer. In all cases of disputed bids the 
lot shall be resold, but the Auctioneer will use his judgment as to the 
good faith of all claims and his decision shall be final. 


Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots 
purchased to be immediately resold. 


Purchases to be taken away at the buyer’s expense and risk within 
twenty-four hours from the conclusion of the sale, and the remainder 
of the purchase money to be paid on or before delivery, in default of which 
The Anderson Galleries, Incorporated, will not be responsible if the lot 
or lots be lost, stolen, damaged, or destroyed but they will be left at the 
sole risk of the purchaser, and subject to storage charges. 


All lots will be exposed for public exhibition before the date of sale, 
for examination by intending purchasers, and The Anderson Galleries, 
Incorporated, will not be responsible for the correctness of the descrip- 
tion, authenticity, genuineness, or for any defect or fault in or concern- 
ing any lot, and makes no warranty whatever, but will sell each lot exactly 
as it is, WITHOUT RECOURSE. 


Terms CasH. Upon failure to comply with the above conditions any 
sum deposited as part payment shall be forfeited, and all such lots as 
remain uncleared_after twenty-four hours from the conclusion of the sale 
will be resold by either private or public sale at such time as The Anderson 
Galleries, Incorporated, shall determine, without further notice, and if 
any deficiency arises from such resale it shall be made good by the de- 
faulter at this sale together with all the expenses incurred thereby. This 
condition shall be without prejudice to the right of The Anderson Galleries, 
Incorporated, to enforce the contract with the buyer, without such resale. 


Bips. We make no charge for executing orders for our customers 
and use all bids competitively, buying at the lowest price permitted by 
other bids. 


The Anderson Galleries, Incorporated, will afford every facility for 
the employment of carriers and packers by the purchasers, but will not 
be responsible for any damage arising from the acts of such carriers and 
packers. 

THE ANDERSON GALLERIES 
PARK AVENUE AND FIFTY-NINTH STREET 


NEW YORK 


TELEPHONE PLAZA 9356 CATALOGUES ON REQUEST 


SALES CONDUCTED BY MR. FREDERICK A. CHAPMAN 


LIST OF ARTISTS 
PAINTING 


NUMBER 
BLAKELOCK, RALPH ALBERT Riess LOO gS 
BOLOGNESE SCHOOL I 
BONHEUR, ROSA 17 
CAZIN, JEAN CHARLES 37 
CHURCH, FREDERIC S. i 
CONSTABLE, JOHN 28 
DAINGERFIELD, ELLIOTT 46 
DAVIS, WARREN 
DIAZ DE LA PENA, N. V. 24, 29 
DUPRE, JULES | 9 
FROMENTIN, EUGENE wey 
GORTER, A. M. 8 
HENNER, JEAN JACQUES | LO gees ene 7, 930,42 
INNESS, GEORGE 36 
INNESS, GEORGE, JR. AA 
ISRAELS, JOSEF 30, 38, 40, 41 
JACQUE, CHARLES EMILE 22 
KEITH, WILLIAM 24 45 
MAUVE, ANTON 2874 
MILLET, JEAN FRANCOIS at 
MORAN, THOMAS 42 
PIETERS, EVART 10 
RAFFAELLO, M. DI 2 
SETHER, GILBERT 4. 
STEVENS, ALFRED 14 
SWAN, C. E. 13 
VERBOECKHOVEN, EUGENE 6 
WEISS, SAMUEL A. 3, 48, 49 
WEISSENBRUCH, J. H. 6 


WYANT, ALEXANDER H. 18, 47 


macy: * 


THE SPECIAL ATTENTION OF 
CALLED ae THE en THAT eee 


-_ a= << 
ae . 


ip SR? aie 
Pee. a es 
“SALE FRIDA \Y EVENING, MARCH SEVENTEENTH | 


_———sAT- EIGHT-FIFTEEN O'CLOCK 


BOLOGNESE SCHOOL — 
Sy 17TH CENTURY 


I “SCENES FROM THE LIFE OF THE VIRGIN 


Dr rawing in neutral tint and India ink, heightened with white. 


| Ss 8% eee width, 1114 inches. 


RAFFAELLO 
ITALIAN SCHOOL, 17TH CENTURY 


> FIGURE OF A MAN AND HALF FIGURE OF A 
WOMAN 


Drawing. India ink and wash, heightened with white. 


oaned M. di Raffaello. Height, 734 inches, width, 634 inches. 


SAMUEL A. WEISS 
~~ \ ; CONTEMPORARY AMERICAN 


\3. ROCKY SHORE 
Fine arrangement of line, with effective blue and foamy sea 
washing in, and warm golden sky. 


Drawing, pastel and water color. Signed at lower right. 


Height, 9% inches, width, 11% inches. 


GILBERT SETHER 
CONTEMPORARY AMERICAN 


4 THE FIRST FALL OF SNOW 
Typical countryside, with a red brick house and a barn; hill at 
the left and in the background; a birch tree rising in the fore- 
ground; pale blue sky, frigid weather effect. 


Gouache. Signed at lower right. Height, 14 inches; width, 
21 inches. 


WARREN DAVIS 
CONTEMPORARY AMERICAN 


fot HE POOL 
A nymph prone on the sandy shore of a small body of water, 
in an attitude of entire abandon, her chin resting on her crossed 
hands and her feet in the air. Foliage in the background. 
Canvas on academy board. Signed at lower right. Height, 
8 inches; width, 934 inches. 


O) 


EUGENE VERBOECKHOVEN 
BELGIAN, 1799-1881 : 


BECReS is TEER 

A black and white setter in the centre of a road of sand and 
pebbles looks patiently toward the left, as if awaiting his master. 
Rising ground bordered with green, tree trunks in the back- 
ground. Blue sky, with gray cloud effects. 


Panel. Signed and dated 1856 at the lower. left. . Height, 
6 inches; width, 8% inches. 


Inscription of authenticity on the back. 


EUGENE FROMENTIN 
FRENCH, 1820-1876 


7 MOONLIGHT IN THE DESERT 
A company of Arabs, quartered for the night in their tent, are 
seen squatting about, one near a little fire at the right; camels 
and baggage at the left; evening sky with the silver disc of the 


moon at the upper left. 


Panel. Signed at lower right. Height, 5%4 inches, wtdth, 
4 inches. 


Sows 


| A. M. GORTER 
Jeno Oe CONTEMPORARY DUTCH oy 


8 AUTUMN IN RURAL HOLLAND 


Flat boggy country traversed by a picturesque canal, with a punt 
drawn up at the water’s edge. Cows animate a pasture at the 
middle distance, while slender trees trace their bare limbs over 
a pale blue sky with fleeting gray and silver clouds. 


Canvas. Signed at lower right. Height, 15 inches, width, 
114 inches. 


i, 


hw JULES DUPRE 5S Oo 


a \ FRENCH, 1811-1889 


97 LANDSCAPE 
A limpid body of water spreads from the foreground toward 
the right. A gigantic tree rises from the wooded bank in the 
middle ground, spreading its vast branches over a sky of sil- 
very clouds with touches of blue. A cottage and cattle at the 
water's edge add strength to the composition. 


Canvas. Height, 8% inches, width, 10% inches. 


— 


IO 


‘ 
‘ 


i 


EVART PIETERS 
CONTEMPORARY DUTCH 


MARINE 


A rough sea with a trawler in the foreground; other vessels indi- 
cated at the left and horizon; fine gray and creamy sky. 


Canvas mounted on academy board. Signed at lower right. 
Height, 103% inches; width, 7% inches. 


D Lo. WM ih+Co 


RALPH ALBERT BLAKELOCK, N.A. 
ty AMERICAN, 1847-1919 


11 INDIAN SUMMER 


Groves of trees at the left and right, with level country to the 
horizon at centre; open foreground; sunset sky. 


Canvas. Signed at lower right. 


Height, 4% inches, width, 
10 inches. 


pam 


I2 


FREDERIC 5. CHURCH Nee 
CONTEMPORARY AMERICAN 


BUNNY’S PORTRAIT 
In a sylvan dell with flowers and a limpid pool, a pink-eyed, 
white rabbit sits obediently on his haunches while Cupid 


sketches his likeness. 


Canvas. Signed, copyrighted, and dated 1905 at lower left. 
Height, 10 inches, width, 14 inches. 


Celis WAIN 
CONTEMPORARY ENGLISH 


foe BAY 
A Royal Bengal Tiger crouches in the grass, hissing with open 
jaws as if facing a superior enemy. 


Academy board. Signed at lower left. Height, 7 inches; width, 
9 inches, 


ALFRED STEVENS 


BELGIAN, 1828-1906 
14 PORTRAIT SKETCH 


A lady in evening dress, with mantle and hat of light silvery and 
pink material, and a black lace veil, sits comfortably in an arm- 
chair. An old golden background affords restful relief. 
Canvas. Signed and dated 19 
inches; width, 14 inches. . 


02 at upper right. Height, 18 


‘ 
: 


RALPH ALBERT BLAKELOCK, N.A. 
AMERICAN, 1847-1919 


1s MOONLIGHT 


A lake in the foreground, with a grove of trees on the opposite 
bank in nice design. Sparkling sky, with fleeting clouds touched 


by the silvery rays of the moon. 


Panel. Signed at lower left. Height, 5% inches; width, 7 inches. 


yi has JEAN JACQUES HENNER 
( WU FRENCH, 1829-1905 


"4 46 MAGDALENE KNEELING : 
y™  \ | Exquisitely brushed figure, the lower body enveloped in a green 
Ay &} eloth, the back poised against a wall, while the head is turned 
j - from the spectator. 


Panel. Signed at lower right. Height, 10% inches; width, 
814 inches. 


950. 


yi. 


iby. bu conegpmur ie acvewee blathasn Ntoeh, as ae 


‘eG Sd Healer lhekelle: See 1911+ BRKX 


gt) 


Ge 


See 


[SEE ILLUSTRATION ] 


1bS 6, 


ROSA BONHEUR 


FRENCH, 1822-1899 (Fee. 
DEER IN FOREST — 


The buck is lying on the soft turf and leaves while the doe is 
standing sentinel. Trunks of trees rise at left and right with 
leafy branches, and shafts of sunlight add bright touches here 
and there. Charming example. 

Canvas. Signed and dated 1809 at lower left. Height, 21% 


inches, width, 18 inches. Ss 


From the Collection of Lord Armstrong. 


Purchased from Arthur Tooth & Sons. The following letter, 
written on the back of a photograph of the painting, accom- 
panies the picture: 


A representative example by Rosa Bonheur, very 
good quality, painted in 1869, and was once in the 
collection of Lord Armstrong. 


o ARTHUR TOOTH & SONS, 
per ASB ais 


[SEE ILLUSTRATION] 


A, Nee 


a a — 


ee eee eee ee 


™ 


“4 ALEXANDER H. WYANT, N.A. 


AMERICAN, 1836-1892 


18° SUNSET LANDSCAPE 
Foreground of dark brown brush, a pool at the middle distance, 
slight tree growths at right and left, and a giant tree towering 
from left foreground over a finely brushed sky of fleeting clouds. 


Canvas. Signed at lower left. Height, 10 inches, width, 8 inches. 


< wn & | 


[SEE ILLUSTRATION ] 


Tot 


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| \ RALPH ALBERT BLAKELOCK, N.A. 
| AMERICAN, 1847-1919 


19 THE CAMP FIRE EF. Cr thu 


Rich velvety foreground with a small pool; group of fine trees 
at the right centre, with three Indians squatting close to a small 
7 50. fire of fagots; grove of trees at the left, with a stretch of meadow 
through to the horizon. Beautiful, radiant sky, with light cirrus 
clouds touched with burnished gold. Extremely fine example. 


Canvas. Signed at lower right. Height, 14 inches; width, 
11 inches. 
; 


7 if } ed 


~ 


[SEE ILLUSTRATION ] 


[19 


| b O40. 


RALPH ALBERT BLAKELOCK Res 
AMERICAN, 1847-1919 


20 INDIAN ENCAMPMENT 
A clearing in the foreground, underscrub and bushes with lofty 
tree at right, grove of fine trees at left, where a wigwam with 
Indians is seen. A pale blue hill at centre, and a fine silvery sky 
with light flaky clouds and glimpses of blue. 


Canvas. Signed at lower right. Height, 15% inches; width, 
23% inches. 


Exhibited at the Blakelock Loan Exhibition, Reinhardt & Son 
Galleries, 1916. 


4 OS, JEAN JACQUES HENNER 
FRENCH, 1829-1905 


21 NYMPH BESIDE A STREAM 


In a half reclining posture the charming nude has her back 

turned and is resting after a bath in the crystal waters of the 

stream; her hair hangs down in golden strands, and the deep 

& foliage of the background makes an admirable foil for the rich 
a. carnations of the flesh tints. Pale blue sky. 


eee Panel. Signed at lower left. Height, 7 inches, width, 
1034 inches. 


MN. tboreed Lilith, Ath iwg forsee P15 - 


CGENZ Ow tonsegnrienh 
Lol. Hrller + Miuchelle flea 1916 ~ PSS 


plac wit A Va C< (Lg 


Jitav 19M - 


CHARLES EMILE JACQUE 
FRENCH, 1813-1894 


ee rtlrus Q 
22 HOMEWARD BOUND 


A maiden carrying a bundle of clover and wild flowers on her 
head has overtaken the young shepherd, to whom she shows a 
nosegay; the dog is also interested, while the sheep and lambs 
follow close by, munching a leaf or blade of grass in passing; 
alley of slender trees in midsummer foliage at the right, flat 
country at the left, spreading toward a village at the horizon. 
Blue sky with flaky clouds. 


Panel. Signed at lower left. Height, 10% inches; width, 
814 inches. | sig 


a- © Purchased from Knoedler & Co., whose letter, written on the 
back of a photograph of the painting, accompanies the picture: 


This painting was painted by Charles Emile 


Jacque & is one of his finest examples in quality 
& composition. 


YY M. KNOEDLER & Co. 
J 3k. brgp Mad bare deb 1901- fe0 ESKX~ 
bid Villon kek Lyfe G07 PMOxX . 


[SEE ILLUSTRATION ] 


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y / a ‘ , A 
f f ; f L — 7 
; \ A Agee ; & 


ae 2) \ JEAN JACQUES HENNER 
FRENCH, 1829-1905 


22°8N YY MRS AED 
Another version of this delightful subject, showing the nymph 
seated, arranging her auburn tresses, with her back to the ‘spec- 
YI p+ . tator An her head turned toward thie left; the pool at the right 
reflects the pale emerald of the sky. 


Canvas. Signed at lower left. Height, 25% inches; width, 
2034 inches. 
From the August Belmont Collection. 


Purchased from Knoedler & Co., whose certificate, written on 
the back of a photograph of the painting, accompanies the 
picture: 


This is a.photo. of a painting by J. J..Henner. | 
Size 2034 x 25% oval. It was in the late August 
Belmont’s Collection for a great many years; and 
it was from his son, the Honorable Perry Belmont, 
that we bought it. 
M. KNOEDLER & Co. 
| , T. G. 
W- ; October 2, 1909. 


©ssiph. tle concsnwenh th be Mubmerk Bisque. Laden fires PM 
SA Ate buhe Chaeago (eas 190 8x AMNSXX 
Cf Gu + bic ernecgs meen Mh 1b, Miwke Leb-y (70g te rick PMSKK 
Sold. Wealitr + Michitls heceye) ok 1909. PMESK~ 


[SEE ILLUSTRATION] 


NARCISSE VIRGILE DIAZ DE LA PENA 
FRENCH, 1809-1876 


24 LANDSCAPE WITH COWS VW kA 
Flat country, a clump of trees at the distant right, cattle about 
a silvery pool in the foreground. Low-pitched horizon, with a 
ASv beautiful sky of mellow golden and gray cloud effects. 
§ Canvas. Signed at lower left. Height, 9¥ inches; width, 
: 1234 inches. 
The following letter, written on the back e a photograph of the 
4 b4 : painting, accompanies the picture: 
Jane 24th, 191d. 
We recognize this painting by N. Diaz as passing 
through our hands. Size 1234 x 9% inches. — 
ose. M. KNOEDLER & Co. 


Wars (aeughk Nn. Weallek Varo gol, Feo SKK 
dota f4 Aaughlen 
1503. Pr ga Mice Apr gob 


Wok AS KX 


[SEE ILLUSTRATION ] 


JEAN JACQUES HENNER 
FRENCH, 1829-1905 g SL: 


mr. Ket CO 
25 MAGDALENE RECLINING 

Lying at full length on her side, her head resting on her right 
arm, the pretty nude directs her gaze at the spectator; a blue 
drapery lies loosely on the greensward and partly covers her 
right thigh. Deep background in succulent greens and blue, 
complementing the ivory-tinted flesh and the loose auburn hair 
parted in the middle. 


Canvas. Signed at lower left. Height, 12% inches, width, 
21 inches. 


J. H. WEISSENBRUCH 


DUTCH, 1824-1903 ) MA Lrcbliney 
aoe SCAPE WITH CATTLE 
Rich pasturage with black and white cows in the foreground, 


an alley of trees beyond, with barn, all in fine value against a 
sky of creamy gray and silvery clouds. 


Canvas. Signed at lower right. Height, 9% inches, width, 
1714 inches. 
Purchased from Arthur Tooth & Sons, whose letter, written on 
the back of a photograph of the painting, accompanies the 
picture: 

This painting by J. H. Weissenbruch was at one 

time in our possession, & we consider it a charming 


| example. 
| ARTHUR TOOTH & SONS, 


| An art. 


JEAN JACQUES HENNER 


FRENCH, 1829-1905 eae 
27 MAGDALENE IN MEDITATION pruu 


In an attitude of humility, Magdalene stands with her back near 

a wall, her hands coming together as she grasps the simple 

brown garment that envelops her body from the waist; her 
| Z po. head is slightly turned from the spectator, as she seems to be 
seeking to commune with the other world; her long rich copper- — 

colored hair descends freely, partly covering her bosom. Rich 

NSD brown background. : 


he es as | 
Se U Canvas. Signed at lower right. Height, 28 iichee Bi 


18 inches. 


Ne’ 


[SEE ILLUSTRATION ] 


oe RI el NS Rip 


JOHN CONSTABLE, R.A. ; P| 

ENGLISH, 1776-1837 Ce Se Optll clu l 

28 APPROACHING STORM | | 

Low trees and a growth of brush divide this stirring composi- — : 
tion into a rising slope at the right, where a herdsman is ap- 
proaching his cattle, and a flat expanse at the left, with a cot- 
50 tage and tree clumps beyond, while a man on a white horse 
contributes a bright note in the foreground. A tower rises in 
relief against the deep slaty sky at the centre horizon, and a 
mill throws its arms across a bright plane of clouds at the right, 
while birds animate the scene at the left. A virile brushwork 
of the master’s best period. . 


Panel. Height, 10 inches; width, 15 inches. 


[SEE ILLUSTRATION] 


CAS _ NARCISSE VIRGILE DIAZ DE LA PENA Ny I Oy 
FRENCH, 1809-1876 - 


29 THE EDUCATION OF LOVE | 
Charming allegory showing a blonde maiden seated in a nook 
with two attendants, while the little god of love leans over her 
knee and looks intently into her countenance; the maidens are — 
partly draped, and there is a glimpse of a pearly sky. 


Panel. Signed at lower left. Height, 1234 inches; width, 
9% inches. 


Purchased from M. Knoedler & Co. The following letter, 
written on the back of a photograph of the painting, accom- 
panies the picture: | 


This painting by N. Diaz, “The Education of 
Love,” size 93 x 12% inches, panel, is a very 
beautiful work of the artist. 
Mr. Freville, of Ville d’Avray, purchased it from — 
Diaz on the advice of the well known collector 
Mr. Stumpf, his friend. Mr. Freville was a rich 
proprietor & known as “Freville le vingt,” as he 
was the 2oth child of his father. On his death 
Mr. Fumouze, ex-President of the Tribunal of 
Commerce of Paris and son-in-law of Mr. Fre- 
ville, inherited it. We acquired the painting from 4 
him. : 

M. KNOEDLER & Co. 

C. R. Henschel, Atty. 


/1907. Brug hk, lanotd » Leff (hie re (909, Teo NOESK - 
Sta. Yroul lon - Michalls Upr 4710 « JOU. 


[SEE ILLUSTRATION ] 


9322. F biulfase tenon Mhalland. Afth igeo- dr SXXX = 


Sold. 54. Wib een » Sg bre 1900-« J MOXk~ ; 


ix 10238 + dahuw tack IM. Of b tee « Lard Mpirk 1903-4 7 = 


Sold. M- nm » Son! L/G03 JOSKK © 
JOSEF ISRAELS | 


DUTCH, 1824-1911 | | 

: fa : 

30 COMING FISHERMEN K bo 

A couple of boys are sailing their toy craft in shallow water; 

beyond a fisherwife is seen carrying her babe and a basket; on 

the right a fisherman is laden with an anchor, and some vessels 

are close inshore. A boat in the distance, while circling sea- 
gulls enliven a sky of blue and creamy clouds. 


Canvas. Signed at lower left. Height, 15% inches; width, 
19% inches. 


1089; 1 Lhaw I Wor acon! Mtr / 9 O8- 
tcl - Spang 6 1906 -« BOUXK + 


W3KS ~ Mdbined. 4 Bur é Clete ful 1907 


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4 
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31 


I 


JEAN FRANCOIS MILLET 


Q gsr FRENCH, 1814-1875 Y h/ Cy 


MILKING TIME, BRITTANY 

A maid in peasant garb is milking a short-horned cow in the 
foreground of a restful expanse of green; beyond, an old water 
mill is in operation, and near it, quaint pollard trees of odd 
shapes and a hill with fine tree groups bring us to a pale blue 
sky. Very characteristic work. 


Pastel. Signed at lower right. Height, 17% inches; width, 
1934 inches. 


ANTON MAUVE | 
DUTCH, 1838-1888 


32 THE HUNTER Wad U4 
With gun and gamebag this disciple of St. Hubert is passing ~ 
through a field of stubble, while his dog is on the alert. Flat 

a A) country, gray sky with silvery effect at the horizon. Fine rendi- 
\ * tion of a chill November morn, exquisitely brushed in rich 


Aa 
G) A ee | aT p Ast} 
| / / 
Pet koe Canvas. Signed at lower right. Height, 20% inches; width, 


eye I inches. | | 

W Wi un Sale! 1908s FSG - S300, Wovileses : 
QQ50. Bi, ; a $0 Ii. b. barelacre Stay 1898> PAGA- 
ty irae pla base 1898 + p OSKK~ 4 


/0888 4 coe Chewy Be 1905 « 
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Aud ‘pit ad he 


[SEE ILLUSTRATION | 


¥/ RALPH ALBERT BLAKELOCK, N ee 
af | AMERICAN, Be Ate 


a3 THE WOUNDED STAG - o 2 
Forest interior with fine tree growths in rich autu 
a silvery pool in the foreground, some moss-gro wn 
q 0, right, beyond which a stag comes bounding i into 1 
| a spear sticking in his side. Luminous sky. | 
Panel. Signed at lower right. Height, 934 1 
13% inches. | | ae 


[SEE ILLUSTRATION] 


WILLIAM KEITH 


AMERICAN, ae | 
34 BROWN OAKS | WC, Hurd r 


A mass of gnarled giants rise at the left foreground, and join- 
ing their vast branches with a lesser grove at the right form a 
beautiful vista in charming perspective of a brook, meadowland 
with cows, and shimmering hills, to a burst of brie omer 


) bs 0. sky with Shiden tinted clouds. 
Canvas. Signed at lower right. Height, 20 inches; Gay eS 
30 inches. | 
The following letters accompany the picture: 
\ S.F. December sth, tg10 
| Dear Junior 
' You know well enough that the Brown Oak pic- 


ture was one of my favorites and the gentleman in 
Chicago you sold it to certainly has one of my 
best things. 

When are you coming up again? Let me know 
beforehand as I may want you to bring something 
along. 

Yours truly 
WM. KEITH 


Hotel Potter 
Santa Barbara, California 

December 7.1510 

Jos. Snydacker, Esq. 
Chicago, Il. 
My dear Mr. Snydacker: 
You have no doubt hung the Keith painting and 
I should be glad to know how you like it. En- 
closed I send you private letter of my friend Keith S 
and if you want to keep it you may do SO. 
With kindest regards I am 
Sincerely yours 
FREDERIC JUNIOR 


[SEE ILLUSTRATION ] 


34] 


| 


RALPH ALBERT. BLAKELOCK, N. A. 
\ py. oh AMERICAN, 1847-1919 


35 THE VISION OF LIFE 
A joyous group from the twilight world is disporting itself on 
A a | the leafy carpet of a break in the woods, with vast tree groups 
\ bs | rising at the right and left, and a fine perspective of gayly 
f colored meadowland toward the horizon at left centre, joes 
: a sky of blue and shimmering opalescent tones. | 


Canvas. Signed at lower HAS Height, 21 noha length, 
39 inches, 


Exhibited at the Blakelock ee Exhibition, Reinhardt & tae iq 


Gillies oat a f Pe 
fe oe ~£ \ > Die 4] svt 


l ln rR. KAS eo vy, ibs 


[SEE ILLUSTRATION] 


Pa 


\ 


36 


oe | 
VY GEORGE INNESS, N.A. 


7 bP 


AMERICAN, 1825-1894 


THE HOME OF THE HERON 
In the solitude of a deep wood the trunk of a majestic tree rises, 
its bark glistening in the soft light of the afternoon sun; the fore- 
ground is fragrant with green foliage and wild flowers, and the 
branches sparkle with deep orange and golden foliage; at the 


right a white heron is perched on a fallen trunk. In the dis-— 


tance, between a phalanx of stately trees a faint glimmer indi- 
cates the horizon, with touches of an azure sky breaking through 
the masses of foliage near the top. An epic in paint. 


Canvas. Signed and dated 1891 at lower left. Height, 41 
inches; width, 3634 inches. 


The following letter accompanies the picture: 
222 West soth Street 

New York 

Nov. 6th, 1912 
Mr. J. G. Snydacker 

Chicago, III. 
Dear Sir: | 
I congratulate you upon acquiring the very noble 
‘“Tnness’”—‘““The Home of the Heron.” I saw the 
first charcoal drawing upon the canvas, & watched 
its growth—the struggle of the master to express — 
himself. There are some superb things under this 
picture for it went through various states and 
phases, as indeed many of Inness’s pictures did 
as he reached toward the goal known to his own 
mind. It was a favorite with the master, and is 
now ripening with that unctious mellowing which 
comes to all great works. It ranks with the great 
pictures of any master of any school & amply 
justifies our belief that George Inness was the peer 
of the greatest. I congratulate you again. 
Sincerely 
ELLIOTT DAINGERFIELD 


[SEE ILLUSTRATION ] 


Vite Mardis 


iin Ve Pay es an 4 we we ae eee, : Eh wi a ea a ai a ea 
, =. By ‘ = bree eit — 6 ais paca , a aia , % von ee 
\ At Ee rie bee 7. Kis f ; 


A re as : JEAN CHARLES CAZIN- 


O) x FRENCH, 1840-1900 | ‘4 
XQ g br: } | deny 


37 EVENING 

| a} A group of homely cottages, their thatched and tiled roofs 

| LY ; sparkling in the silvery moonlight. A lonely figure at the door 

\ : “4 \ on the right, while the gleam of a lamp is seen at the window. 
an The fence in the foreground reveals the home of the peasant. — 
‘oe Various abodes at the base of the hill to the left. A deep azure 
\ sky with twinkling stars and a slight bank of cirrus clouds at the — | 4 
top round out this very fine example. 


Canvas. Signed at lower left. Height, 23% inches, ‘width, 


\, ‘vi 18 inches. 
a) Purchased from the John Levy Galleries. 


ae a OKS 0 3 dw conseqnmmerh foo Moco eae hur 1405 tk, a fras 
é | | Ss 5 ttf - pe ey Up Yor pe OOXX = q 
<b tablh dagen te hlilim 1 t.lh. 1894 PG hor 


[SEE ILLUSTRATION ] 


ee 


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EN Se Ne TNE je 


2 a REN NESE ate 


xe 


ko 38 THE FISHERMAN’S DAUGHTER 


JOSEF ISRAELS 
_ DUTCH, 1824-1911 


Seated in the tall grasses of a mound, the maid in quaint Dutch 
cap and garb directs her gaze toward a vessel which is making 

for port in a rough sea. Luminous sky with touches of blue. ——- 
Panel. Signed at lower right. Height, 1214 inches; width, a 
9% inches. | ae a 


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[SEE ILLUSTRATION ] 


[38 


ian 


39 


JEAN JACQUES HENNER 
FRENCH, 1829-1905 


NYMPH BESIDE A POOL 


Characteristic presentment of one of the artist’s favorite sub- 


jects, showing his mastery in depicting the ivory-like flesh tints 
and auburn hair that contrast so well against a deep luminous 
background of rich greens. The nude, with her back to the 


spectator, is reclining on the grassy bank, supporting her head 
with the left hand, while her right leg is extended at full length. 


A small limpid body of water at lower right and an expanse of 
pale emerald sky are placed to a nicety to sustain the beautiful 
lines and rhythm of a superb female figure. 


Canvas. Signed at lower left. Height, 19% inches; width, 
2814 inches. 
Purchased from M. Knoedler & Co. The following note, 


written on the back of a photograph of the painting, accom- 
panies the picture: 


‘Nymph Asleep on Bank of Lake” 
Size 1934 x 2834 
Painted by J. J. Henner. 
Purchased from the artist by MM. Knoedler & Co. 
Sept. 18th, 1881. 
MouItOnN & RICKETTS 
By R. Ricketts 

Chicago, 

2/7/10 


ON. BSU/ Jrghh Sonfucl» Go 


da. f 9 Uerhin/ Sr 4 CULE ZEMKAX = 


[SEE ILLUSTRATION] 


Dea ted peer a3 chin le 


x 
a él - 


Care tag 5(fibh- Feo peo Axx 4 


SA. 7.0 Abtvcrneger if 4Yfeh dl - Boxxx - 
$122. Sahm bak fo 6. 0 Mavemedn Neebf {bed 


| 


ne 


W 


copy 


February 3, 1910, 


Messrs, Moulton & Rick#etts, 
14 Hast Van Buren Street, 
Chicago, Ill. 


Dear Sirs:s- 


We are in receipt of your favor of 
the lst instant, as well as the photograph 
under separate cover after a painting by Hermer. 


We have a record in eur books of pur- 
chasing a painting of this character from this 
artist on September 18; 1881 and sold it the same 
year to H. O. Havemeyer of this 4% S from whom 
we repurchased it in 1888 and sold in Pebruary 
1889 to Mr. J.V. Parker,also of this city, The 
picture we referred te bore our stock No, 6222, 
We kept no photographie record or sizes at that 
time, We have every reason to believe that this 
record refers to the painting of which the ene 
closed is a photograph, 


Very truly yours, 


/s/ M. Knoe@ler & Co 


ae THE OLD TAR 


os 


A bronzed rhcinent in ee ea 
pipe and appears in a reverie of contentme ob 
half empty is seen on the table. | 


Canvas. Signed at lower deft. 
1214 inches. 


~ oe 


[SEE ILLUSTRAT ION | 


eerie ee 


PON, PO ON eT tinge 


gH. 


in her right hand and looks with friendly mien att 


a eae | 
| “7 a 


JOSEF ISRAELS © * <7 
‘DUTCH, gee 1911 re 3 Sa 


“THE ¢ OLD COOK | ' ni 
Seated, the old woman wilt als sweathetebentent face 


she wears a white cap and a dark blue shawl, - 


sleeves ALE tucked up, displaying her tanned arn 
well is seen at the right. } 


Panel. Signed at lower right. Height, wh a 
1234 inches. oe 


rae: wer es Reta Op 26, gn 


[SEE ILLUSTRATION ] 


jaime : ee THO: 


ad 


a COUN TRYSIDE 


aes a rie abc of Fete in 1 the forego 


3 


— with light fleecy clouds. 


Canvas. ‘Signed and dated 1910 at lower | 
inches; width, 40 inches. ne i 


[SEE ILLUSTRATION | 


[42] 


JEAN JACQUES HENNER | i a 
FRENCH, 1829-1905 Cat _ 
43 MAGDALEN E READING - 
_ Three-quarter length full-front presentment of the charming 
model whom this artist has immortalized on many canvases. 
She faces us now holding an open book; her beautiful auburn 
hair, parted in the middle, descends over her rich black gown, _ 
V-shaped at the throat, here a carnation lends a pleasing com- 
plementary touch of red. Deep brown background, turning to 
old gold at the bottom. , | 


Canvas. Signed at upper left. Height, 4334 inches; Woe - 
26% inches. 3 


The following certificate, written on the back of a photograph 
of the painting, accompanies the picture: 


The painting of which this is a photograph, meas- 

uring 261% x 4334 inches, by J. J. Henner, we pur- 

chased in France and imported it in January 1910 — 
— and sold it to Messrs. Moulton & Ricketts. 


4 
=e, M. KNOEDLER & Co. 


938: K Leooges telth, (ats Ltrs 904 fee MOK ae q 1 
Uy ee Mila for G10 SSXX ms 


[SEE ILLUSTRATION] 


Te ee 


hn itl 


[43] 


GEORGE INNESS, Jr., N.A. 
CONTEMPORARY AMERICAN 


44 LANDSCAPE WITH FIGURE 
Flat country, broken by a brook in the foreground, where a 
youth is seen with a fishing rod; several tree trunks rise near the 
centre, and a wooded ridge is in the distance. Fine sky of 
emerald, with buff and gray tinted clouds. 


Academy board. Signed at lower right. Height, 834 inches; 
width, 8 inches. 


Yi 
ff 


| | 


Hy 
a 


a 


“a WILLIAM KEITH | ee 
S60): AMERICAN, 1839-1914 eee ya Meth icing 


45 LANDSCAPE 
A flat stretch of land with stumps and brown grasses, extending 


toward a hilly horizon broken up by several bodies of water; 
at the left a clump of fir trees, while a stirring sky of gray and 
silver completes a fine harmony in color and character of the 
Far West. 

Board on canvas. Signed at lower right. Height, 20% inches; 
width, 251% inches. 


a AT et 
Rt et a a arg gH 


igre 


\ te a ete 


ELLIOTT DAINGERFIELD, N.A. 
Hb. CONTEMPORARY AMERICAN 


46 PASTORALE 
The shepherdess, nude to the waist, is half seated, half reclin- 
ing on a velvety greensward in the foreground, while the sheep 
are ruminating nearby. Beautiful idyllic composition. Sketch | 
of the figure of a boy on the back, not signed. 


Panel. Signed at lower right. Height, 12 inches; width, 
14 inches. 


= \ ALEXANDER H. WYANT, N.A. 
: Ne AMERICAN, 1836-1892 


47 FOREST AT SUNSET 


Thickly wooded, with a slight pool in the foreground and 
crimson-tinted foliage in the distance. 


Canvas. Signed at lower left. Height, 934 inches; width, 


14 inches. 


Ch ay. cP. yro+l hd 


f 


yoo 


SAMUEL A. WEISS 
CONTEMPORARY AMERICAN 


48 MOONLIGHT - 
A straggling path across a meadow of ene grasses; quaint tr ; 
shapes towering over a cloudy sky, with a break near 1 
where the full disc of the moon beams forth. | 


Canvas. Signed at lower left. Height, 26 inches; 
2934 inches. 


SAMUEL A. WEISS 
CONTEMPORARY AMERICAN 


49 MARINE 
Heavy storm sky, with a huge bank a slaty cloud at the reheat 
and smaller clouds against a break of emerald-green at the left. | 
Canvas. Signed at lower right. Height, 25 inches; width, a 
2934 inches. ? 


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